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CultureFestivalsTradition

Indra Jatra

Boisterously Celebrated Carnival of Kathmandu

by Nikki Thapa
written by Nikki Thapa
Newar Festival

Indra Jatra also known as Yenya, is one of the biggest colorful religious street festivals of Kathmandu lasts for eight days usually in September.

It is celebrated by venerating Indra, the god of rain and fertility, by erecting Yo: Shi/Linga, the pole from which Dhwaja, the banner of Indra unfurls at Kathmandu Durbar Square. The Manandhars (the oil-presser caste) men of the Newar clan raise the pole. Guruji ko Paltan, the soldiers in ancient black uniforms fire outmoded rifles in salute and play equally antiquated military bands. Spectators roar in the thrill of excitement when the heavy pole is hoisted as seen in the photo above and surges uncontrollably forward to offer sweets and flowers. Other deities are also displayed before their temples so that all the gods in Nepal can also witness their celebrations together.

Yo: Shi is debranched and partially debarked tall pine tree and its preferred height is 32 hand lengths. Hand length in Nepal is measured from the tip of the longest finger to the elbow. On Bhauma Ashtami, the eighth day of the bright fortnight of the month Bhadra (August/September) devotees drag Yo: shi with the help of thick ropes to the Kathmandu Durbar Square. This tree retrieved from the forest in Nala, 29 kilometers east of Kathmandu sits there until it’s raised on the Indra Jatra day. A small cage-like prison containing an image of Indra is placed at the foot of the Yo:Shi along with a golden elephant, His mythical steed.

The Kumari jatra, The three temple cars outside the Hanuman Dhoka, or Old Palace, Kathmandu in 1850s, painted by Henry Ambrose Oldfield. (Public Domain, from the British Library’s collections, 2013)

The Living Goddess, Kumari on this day leaves her abode, the Kumari Ghar, mount a magnificent chariot, and parades through the ancient streets of Kathmandu along with gods Ganesh and Bhairav who are on two separate and smaller chariots of their own. The Gods and Goddess’s parade continues for the next two days.

Another attraction of Indra Jatra is a masked dance which is commonly called Lakhe Naach. Spectators in hundreds crowd at Kathmandu Durbar Square to witness the ceremony. On the third day, the President of Nepal with dignitaries and diplomats attend the festival and toss coins in prayer at the masked dancers from the balcony of the Gaddi Baithak building at the square. When Nepal was still a Kingdom, the King and Royal families would receive tika from the living goddess Kumari first and witness the Indra Jatra.

Miniature Indra Jatra Chariots of Kumari, Ganesh and Bhairabh at “Deities of Nepal” Exhibition, Nepal Art Council, Babar Mahal, Kathmandu. (December 2022)

For the Newars, it is also the day to remember the dead ones that occurred during the year like others do on Gai Jatra. At dusk of the first day of Jatra, they parade along the prescribed routes of Kathmandu carrying Mata Biye (lighted incense sticks and oil wick lamps) for the deceased, and the event is called Upāku Wanegu. In the process, they chant religious hums and offer lamps at en route shrines.

They say, the Indra Jatra festival lasted only seven days when it was incepted. It was extended to the eighth when King Jaya Prakash Mallas’s concubine living in Kilagal area complained that she missed the Kumari Procession. The Kumari procession taken out on a third-day parade at the concubine’s request is called ‘the procession of the half-wife’.

On this last evening, the Yo:shi is lowered amid religious ceremonies, animal sacrifices, and gun salutes. It is then dragged to the Bagmati River near Pachali Bhairab temple and immersed in the sacred waters. The Linga is later retrieved, hacked into small pieces, and fed to the sacred flame which burns perpetually at the temple.

Indra Jatra

The Living Deities Kumari,Bhairabh, and Ganesh are mounted on their respective chariots and paraded through ancient routes of Kathmandu Valley in Indra Jatra.

Kumari, Ganesh, and Bhairav on Parade

Kumari with Ganesh and Bhairav ride individual chariots to parade around the ancient streets of Kathmandu and the procession is called Kumari Jatra. The Jatra from Kumari Ghar, Her house at Kathmandu Durbar square and lasts for 3 days starting on Indra Jatra after hoisting Yo: shi.

The three deities are pulled through designated routes every year.

Day 1: Kwaneyā  or downtown procession to the southern part of town starts at Basantapur/Kathmandu Durbar square going towards Maru, Chikanmugal, Jaisidewal, Lagan, Brahma Marga, Wonde, Hyumata, Kohity, Bhimsensthan then back through Maru again to Basantapur.

Day 2: Thaneyā or uptown procession to the northern part of town starts at Basantapur to go to Pyaphal, Yatkha, Nyata, Tengal, Nhyokha, Nhaikan Tol, Asan, Kel Tol, Indra Chok, Makhan and back to Basantapur.

Day 3: Nānichāyā or midtown procession of the concluding day again starts at Basantapur, driving to Pyaphal, Yatkha, Nyata, Kilagal, Bhedasing, Indra Chok, Makhan, and to Basantapur for the last time.

The Living Goddess Kumari on her chariot ride passes sea of devotees at Kathmandu Durbar Square. This is Her second day day procession in Indra Jatra, and the procession is called Thaneyā or uptown procession.

Every evening, as the procession returns to Kathmandu Durbar Square, the chariots pause before Akash Bhairab, the great blue head figure of Bhairabh at Indrachowk street. The second pause is before the twelve-foot mask of Seto Bhairab, recessed in the wall of Hanuman Dhoka. Behind Seto Bhairabh jugs of Aila (liquor) are installed with tubes leading out His snarling mouth. When this sacred liquor runs through the tube, traditional music band blares and the crowd goes wild, trampling each other to catch pouring in their mouths or cupped hands, for the recipient thereby receives powerful blessings from Bhairav.

Indra Jatra

The masked dance, or Lakhey dance leads the Upaku ritual in Indra Jatra in Dhapasi, Kathmandu.

Other Attractions

Dagini

Dagini is a masked dancer who re-enacts Mother Aditi descending to earth in search of her son Indra. A masked dancer accompanied by musical troops emerging from Maru Hiti treads the Southern part of town upon the return of Kumari in the evening before the full moon.

People who have lost their family members trace Dagini’s path making offerings at en route shrines in the name of the deceased. They are joined by a group of men carrying Bau Mata, a long plank suspended on ropes from their shoulders, along which is set a series of flaming oil wicks. These rows of lamps help Dagini and her procession to file through the dark city lanes. These pilgrims later visit the lake called Indra Daha and take holy baths to honour the souls. 

Pulu Kishi

Pulu Kishi is the elephant dance depicting Indra’s steed in search of his imprisoned master. No man dares to approach this elephant to make because when it swings its enormous tail the spectators are knocked completely off their feet.

Pulu Kishi is the elephant dance depicting Indra’s steed in search of his imprisoned master. No man dares to approach this elephant to make because when it swings its enormous tail the spectators are knocked completely off their feet.

Majipā Lakhe

The story has it that long ago a man called Majipa Lakhe had an illicit relationship with a girl from the Chikanmugal area. Upon discovery he was sentenced to severe punishment, later he was spared from it when agreed to perform the Lakhe Naach each night of the Indra Jatra. Majipā, the demon Lakhe wears a ferocious red mask and the wearer is possessed by the spirit he represents, therefore, he seems to be in a religious trance. He is treated with great respect and reverence.

Majipā, the demon Lakhe wears a ferocious red mask and the wearer is possessed by spirit he represents, therefore, he seems to be in a religious trance. He is treated with great respect and reverence.

Sawa Bhaku

In Sawa Bhaku, a long-maned Bhairab in the blue mask is accompanied by two attendants in red. They carrying swords move through the streets in trance and if aroused these wild dancers can be pacified by chicken or goat sacrifice only. According to tradition, no legal action may be taken if bodily harm comes to those who offend.

Devi Pyakhan

Devi Pyakhan is a masked dance for Devi, the goddess. For this, dancers from Kilagal area don masks of goddesses namely Bhairavi, Kumari, Chandi, Daitya, Kawan, Beta, & Khya and perform at Kathmandu Durbar Square Jaisidewal, Bangemuda, Indrachowk and Kilagal

Dasavatar

Each night of Indra Jatra, people gather around Kathmandu Durbar Square to witness the Dasavatar enactments. Das: ten and Avatar: Incarnations, i.e story of 10 incarnations of Lord Vishnu who according to famous mythologies born as mortals on earth to save the world from devils. Masked dancers dressed in rich costumes and gaudy masks unfold these dramas on the streets.

Kathmandu Invasion

Kathmandu Valley was composed of three Kingdoms; Kathmandu, Patan, and Bhaktapur. Indra Jatra is celebrated in Kathmandu only.

Prithvi Narayan Shah, the Shah unifier from Gorkha, chose this day to invade Kathmandu in 1768. King Jaya Prakash Malla, the last Malla King of Kathmandu fled to Patan since he couldn’t muster the courage to face the Gorkha troops. Prithivi Narayan as a conqueror got tika (forehead blessing) from Goddess Kumari in Jaya Prakash’s stead, sat on Malla’s throne. He then ordered inhabitants to continue with the twin festivals of Indra and Kumari celebrations.

Indra Jatra

Lord Indra as a prisioner when His hands and legs are tied by locals after found stealing Jasmine flowers.

Indra Jatra Story

According to a story, Indra, the king of Heaven and controller of rain and clouds descended to earth to fetch Parijaat, jasmine flowers for his mother’s Teej rites. He disguised as an ordinary mortal at the behest of his mother Aditi because there was a dearth of those flowers in heaven but in abundance in Kathmandu Valley. It was Bhadra Shukla Chaturthi, the fourth day of the bright fortnight of the month Bhadra.

Parijaat (Jasmine) by Navendulad

According to another story, Indra stole those jasmine flowers for his ailing mother rather than for Teej, which makes more sense because Teej falls on the third day of the same bright fortnight and day Indra supposedly descended to earth was on the fourth.

But whatever reason was for Indra’s descendence, he was eventually caught stealing Parijaat and held captive.

Aditi got worried at Indra’s long disappearance so she appeared in Kathmandu for investigation. She was disheartened to see her son’s hands and feet tied to a pole like a thief. She then disclosed Indra’s identity and his motive for stealing flowers, to the inhabitants of Kathmandu. They were embarrassed and Indra was released. The locals worshipped and profusely showered flowers on Lord of Heaven and mother; were feted and carried in processions through streets for weeks. They announced that they would redeem this mistake by instituting a yearly festival in Indra’s honour, and called it Indra Jatra where mother and son’s idol is paraded through the streets on a chariot.

Aditi in compensation of Indra’s release, promised to lead all the souls who died during the year to heaven. When she left for her heavenly abode, all the souls clung to the clothing of the one head following her in the long procession. In the process, many spirits fell into Indra Daha, a lake on the hilltop of Switzerland Park. Strangely, Aditi continued on to her journey, leaving behind the people to mourn for the souls of their dead, a rite that has become a traditional part of Indra Jatra and is called Upāku Wanegu.

Indra Jatra

Bereaved Newar families in Dhapasi take a route lighting lamps at different religious shrines in the memory of their deceased family members, and ritual is “Upaku”. The communities that lie on the Upaku route also display masks of Bhairab, most of which are only put up for public view once a year. It is a rare opportunity to witness the unveiling of the masks which are otherwise kept for safekeeping by the respective guthis.

Reference

    • Festivals of Nepal, Mary Anderson
    • Wikipedia
    • Welcome Nepal
    • Featured Photo by Prabin Napit
festival of nepalhindu festivalIndra JatraKumari JatraLord of RainNewar festivalParijaatStreet carnivalStreet festivalYenyaYo: ShiYoshin
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Nikki Thapa

A passionate globetrotter, a culture enthusiast, an aspiring writer, a visual content creator, and most importantly, the Founder who eats and breathes "Ask Me About Nepal" (AMAN).

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Asiatic Elephants (Elephas maximus) at Chitwan Nat Asiatic Elephants (Elephas maximus) at Chitwan National Park.

1) Asiatic Elephants with mahout carrying grass for fodder by Rapti River.
2) Asiatic Elephants with mahout were set on a mission to find a runaway elephant on a cold December morning.
3) A female Asiatic Elephant.

Elephants at national parks are kept at tourism venues to offer entertainment such as rides, shows, elephant bathing, feeding, selfies, and observation. Elephant tourism has become a major financial windfall for businessmen at the Chitwan National Park in Saurah. Visitors to the area often mention their desire to ‘see elephants’ both in wild and captive settings. Tourism vendors must keep up the appearance of happy animals in a peaceful environment to maintain a steady flow of income.
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Hues of Chitwan National Park. Located at the bas Hues of Chitwan National Park.

Located at the base of the Himalayas, Chitwan is home to one of the remaining populations of one-horn rhinoceroses and one of the Bengal Tiger’s last refuges. It also contains a wide variety of plants and animals.

The Chitwan National Park in the Southern Central Terai of Nepal is the first national park of Nepal and was created in 1973.  Formerly famous as “The Royal Chitwan National Park”, it extends over the foothills covering an area of 952.6 sq km (367.9 sq mi) over four districts: Chitwan, Nawalparasi, Parsa, and Makwanpur. This Park is home to more than 50 mammal species, over 525 birds, and 55 amphibians and reptiles. The endangered fauna found in the park are the One-horned rhinoceros, Gaur, Royal Bengal tiger, Wild elephant, Four-horned antelope, Pangolin, Golden monitor lizard, Python, etc.

Conservation of Chitwan National Park has been in place since the early 1800s. The National Parks and Wildlife Conservation Act of 1973 recognized it as a national park and gave it legal protection. The Nepalese Army has been stationed there to guard the parks since 1975. Additionally, the 1974 Chitwan National Park Regulation and the 1996 Buffer Zone Management Regulation sufficiently secure the preservation of natural resources, public involvement in conservation efforts, and socioeconomic advantages for those residing in the buffer zone. As a result, Chitwan National Park stands out as a prime example of how the government and community can work together to conserve biodiversity.
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Mist rises above River Rapti in the winter morning Mist rises above River Rapti in the winter mornings at Chitwan National Park. 

Rapti in the east is a diminutive river that drains the Chitwan Valley and serves as the northern boundary of the Chitwan National Park, it converges with the Narayani River. The river traverses the Mahabharat Range and is fed by various tributaries viz Samari, Karra, Kukhreni, Reu, Panchand from the left, and Lothther and Manahari from the right.

The western one spans both Nepal and India and originates in the Mid-Western Region, it flows through the Awadh and Purwanchal regions of the Uttar Pradesh state in India. Ultimately, it merges with the Ghaghara, a significant left-bank tributary of the Ganges, known as Karnali in Nepal. The tributaries of the West Rapti are Lungri Khola, Jhimruk Khola, Ami River, and Rohini River, while Arun Khola contributes from the right.

This river holds historical significance, particularly for the Janajati ethnic groups of Nepal and is called the "Airavati River" and serves as a tributary to the Sarayu, one of the sacred rivers in the Buddhist midland.
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Various aspects and elements of glorious Hiranya V Various aspects and elements of glorious Hiranya Varna Mahabihar, the Golden Temple of Patan.
Photo by @prriittii 

Hiranya Varna Mahabihara, also known as the Golden Temple, is a prominent Buddhist monastery located in Patan, Nepal. It is a significant religious and historical site with a rich history, captivating tales, and remarkable architecture.

Around the 12th century, during the rise of the Kirant invasion in the southern territories, the Shakyas of Kapilvastu were forced to leave their ancestral lands and seek refuge in the sacred Nepa Valley (now Kathmandu Valley). Among these migrants was Ananda Bhante, the principal disciple of Lord Gautam Buddha himself. Ananda Bhante specifically chose to settle on the banks of the divine pond that housed the Swayambhu Ratna Chaitya. This marked the beginning of human settlement in the area.

Subsequently, the residents dug a well to divert all the water from the pond, creating space for a proper Buddhist Bihar for the stupa. This gave rise to the establishment of the Kwa Baha / Hiranyavarna Maha Bihar. The water reservoir is believed to still exist beneath the central stupa chamber to this day.

Read More by @pratiigyaa
https://askmeaboutnepal.com/hiranya-varna-maha-bihar/
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A brass monkey holding out jack fruits as the offe A brass monkey holding out jack fruits as the offering at Hiranya Varna Mahabihar courtyard, it is the latest addition to the temple and dates back to 1918 AD.
Photo by @prriittii 

Hiranya Varna Mahabihara, also known as the Golden Temple, is a prominent Buddhist monastery located in Patan, Nepal. It is a significant religious and historical site with a rich history, captivating tales, and remarkable architecture.

Around the 12th century, during the rise of the Kirant invasion in the southern territories, the Shakyas of Kapilvastu were forced to leave their ancestral lands and seek refuge in the sacred Nepa Valley (now Kathmandu Valley). Among these migrants was Ananda Bhante, the principal disciple of Lord Gautam Buddha himself. Ananda Bhante specifically chose to settle on the banks of the divine pond that housed the Swayambhu Ratna Chaitya. This marked the beginning of human settlement in the area.

Subsequently, the residents dug a well to divert all the water from the pond, creating space for a proper Buddhist Bihar for the stupa. This gave rise to the establishment of the Kwa Baha / Hiranyavarna Maha Bihar. The water reservoir is believed to still exist beneath the central stupa chamber to this day.

Read More by@pratiigyaa 
https://askmeaboutnepal.com/hiranya-varna-maha-bihar/
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Mithila girls pose with their smartphone, Mahottar Mithila girls pose with their smartphone, Mahottari District.

Posting these photos in the wake of the ban on TikTok, one of the most popular social apps in Nepal.

In recent years, there has been a notable increase in smartphone penetration even in remote and rural areas around the world, driven by factors such as decreasing smartphone costs, improved network infrastructure, and increased awareness of digital technologies. The situation in Nepal may have seen similar trends. 

The social media craze in Nepal is lavish and reflects the evolving digital landscape. While social media platforms provide spaces for creativity and connection, potential bans, as in the case of TikTok, would have far-reaching effects on users and the digital culture of the country. Any such decision would need to balance concerns related to content and privacy with the broader impact on individuals and communities.

The ban has raised questions about freedom of expression, the regular users feel that the ban infringes on their ability to express themselves and share their creativity. On the other hand, the absence of #TikTok (like in India) has led to changes in the social media landscape in Nepal too with users exploring or migrating to other platforms like #instagram and #instagramreels for similar features.

Composed by chatGPT
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Classic view of Sagarmatha, Mount Everest (8849M.) Classic view of Sagarmatha, Mount Everest (8849M.) rising above the ridge connecting Nuptse and Lhotse. The tallest Mountain in the world falls in the Mahalangur Himal sub-range of the Himalayas. Nepal.

On May 29, 1953, mountaineers Tenzing Norgay and Sir Edmund Hillary set foot atop Mount Everest, the world’s highest Mountain. They were the first ever to reach its 8,849-meter peak. Their ascent is considered an outstanding achievement of the 20th century and today marks the 70 years of Mt. Everest.

Since then there have been over 4,000 successful climbers on Mount Everest. 
To name a few:
1) Pasang Lhamu Sherpa,  the first woman to climb Everest (22 April 1993)
2) Kami Rita Sherpa climb it for the 28th time (23 May 2023)
3) Hari Budha Magar, a former British Gorkha soldier with double above-knee amputee claimed Everest (19 May 2023)

And the list goes on.

Initially known only to British mapmakers as Peak XV, the mountain was identified as the world's highest point in the 1850s and renamed in 1865 after Sir George Everest, a former Surveyor General of India. 

It is called Sagarmatha in Nepali, meaning "peak of the sky" and
Chomolungma or Qomolangma in Sherpa and Tibetan — "goddess mother of the world"
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#askmeaboutnepal #70yearsofeverest #everest #sagarmatha #chomolungma #qumolungma #reportagephotography #photooftheday #picoftheday #naturallynepal #visitnepal #reportagespotlight #worldphotopress #learnoninstagram #learnaboutnepal  #AsianPhotographyMagazine #AsianPhotography ##photoscapeofthemonth #canon90d #canonphotography
The Vatsala Durga (also known as the Vatsala Devi) The Vatsala Durga (also known as the Vatsala Devi) located on the east side of the Bhaktapur Durbar Square is a sikhara-style monument dedicated to the Vatsala manifestation of the female deity Durga. 

The temple is constructed on a multi-tiered plinth with a staircase flanked by stone images of various animals—a motif common in Bhaktapur.  The temple's body comprises a ground-floor sanctum girdled by an ambulatory with three bays on each side. Above this rises the tall, tapering shaft of the Sikhara tower, constructed with rendented corners. The shaft's ground plan is in the shape of a 20-corner mandala. Surrounding the shaft are four octagonal corner towers and four rectangular porches at the cardinal directions. Inside the porches are depictions of Durga manifested as the Mahisasuramardini, the slayer of the buffalo-demon. More images of Durga in various Tantric expressions, numbering 32 in all (of which 27 survived before the 2015 earthquake), are inset within the corner octagonal pavilions' bays.

Further up the tower are statues of Bhairava at the corners, standing upon a throne of lotus leaves. Higher still are the forequarters of leaping lions (sardula), their paws extended forward into thin air--ready to pounce on any evil force threatening Durga's sanctuary. Directly above them on each face of the tower are small windows that serve no purpose but help ventilate the otherwise lightless and inaccessible interior of the sikhara, which was left empty to reduce its mass. Near the top of the tower, above the cornice, are stone images of the Eight Mother Goddesses. The top of the tower is a series of circular rings studded with multiple amalaka fruit bands, ending in a finial in the shape of a kalasa pot extruding a flame or jewel.

Text from Asian Historical Architecture.
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The Golden Gate, leading to the Taleju Temple in B The Golden Gate, leading to the Taleju Temple in Bhaktapur, Nepal, is a mesmerizing architectural masterpiece that stands as a testament to the rich cultural and artistic heritage of the ancient city. 

Built-in 1754 by King Ranjit Malla, this intricately carved and gilded entrance is a prominent feature of the Bhaktapur Durbar Square and also marks the last creative contribution by the Malla Kings to Bhaktapur.

Crafted in the traditional Pagoda style, the Golden Gate serves as the main entrance to the Taleju Temple courtyard. Its name, "Golden Gate," is derived from the lavish gilding that adorns the entire structure. The door is called "Swarnadwar" in Nepali and also the Paladhvaka (gate of gatekeeper) and Nepaladhvaka (gate of Nepal) two other names for it.

The gate is a remarkable example of Newar craftsmanship. At the center of the Torana, the statue of the Hindu goddess Taleju is enshrined, symbolizing the protective deity of the Malla kings. The goddess is revered with great devotion, and the Golden Gate serves as a focal point for religious ceremonies and cultural celebrations.

Read more: https://askmeaboutnepal.com/torana/
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Earthquake monument at Bhugol Park, Newroad, Kathm Earthquake monument at Bhugol Park, Newroad, Kathmandu. It was established in the memories of people who lost their lives in the 1934 (1990 BS) earthquake in Nepal.

On the fateful day of January 15, 1934, Nepal experienced a seismic catastrophe that left an indelible mark on its history—the mega-earthquake with an estimated magnitude of 8.0, jolted the very foundations of the Himalayan nation. The epicenter of the quake was situated in the eastern region of the country, Okhaldhunga about 9.5 km south of Mount Everest and 120 kms east of Kathmandu, and its impact reverberated across vast stretches of Nepal and northern India. 

The tremors unleashed widespread destruction, toppling buildings, crumbling infrastructure, and claiming thousands of lives, nearly 17000. The mass cremation was carried out in Sankhumul, according to Himalayan Shumsher.

The three major towns of the Kathmandu Valley; Kathmandu, Bhaktapur, and Patan, were severely affected and almost all the buildings collapsed. Large cracks appeared in the ground and several roads were damaged in Kathmandu; however, the temple of Pashupatinath, the guardian deity of Nepal, escaped any damage. 

Immediately after the disaster, Prime Minister Juddha Shumsher announced relief measures, including helping families in reconstruction, repair, and maintenance. The relief office was responsible for drawing up an estimate of the building materials required for reconstruction. Architects and planners soon went to work making detailed measurements and drawings.  On 23 February 1941, a column commemorating the Earthquake (15 January 1934)disaster was erected at Bhugol Park which depicted Lord Shiva sitting atop a globe. 
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#askmeaboutnepal #earthquake #nepalearthquake #biharearthquake #bhugolpark #tbt #throwback #learnaboutnepal #learnonistagram #historydailypix #historymemes  #oldphotosofnepal #rebuilding #nepalhistory #worldhistoryclass
Majestic Sunset over the mighty Annapurna. #annap Majestic Sunset over the mighty Annapurna.

#annapurna
#askmeaboutnepal #moutainsofnepal #reels #reelsofnepal
Sama Chakeva clay sculptures by Mira Devi Dutta, B Sama Chakeva clay sculptures by Mira Devi Dutta, Bijay Kumar Dutta, and Priyanka Karna at Kathmandu Triennale (photo1-4). Taragaon Museum, Hyatt, Kathmandu.

A girl carrying a basket full of clay idols for the Sama Chakeva by Sulav Shrestha @sulav.photo 

Tharu girls of Terahaut village in Saptari immersing clay idols on the last day of the Sama Chakheva Festival. By  @sankuchy

Sama Chakeva, a revered festival deeply embedded in the folk traditions of Mithila, unfolds its enchanting rituals in Kartik (Nov/Dec) on the eve of the Chhat Festival. The festivities commence in harmony with the migratory journey of birds, descending from the Himalayas to the southern plains of Nepal. Rooted in the rich tapestry of Puranic lore, this celebration, adorned with folk theater and melodious songs, venerates the profound bond between brothers and sisters.

As the sun dips below the horizon, young, unmarried girls gather near the ghats of Chhath, bearing baskets adorned with idols of Sama and Chakeva, alongside oil lamps, kohl, and everyday clay-made essentials. In the ambient glow of the night, they immerse themselves in the timeless melodies of traditional songs, engaging in rituals that transcend generations. 

On this sacred occasion, the river becomes a sanctifying space as young girls take a symbolic dip, purifying their spirits. The idols of Sama and Chakeva, witnesses to the festival's entirety, are tenderly immersed in the flowing waters, marking the conclusion of this deeply cherished celebration.
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#askmeaboutnepal #samachakehwa #tharu #mithila #hindufestival #claysculpt #claydolls #folklore #folktales #instragrammable #siblinglove #nepalnow #photooftheday #celebration #tharuculture #mithilaculture #naturallynepal
Sikhs of Nepalgunj take on streets performing vari Sikhs of Nepalgunj take on streets performing various dances and activities, an expression of their cultural heritage on the occasion of the Guru Nanak Jayanti. Nepalgunj

Photos by RGB NIHAL RGB Camerography 

In addition to the dance, other cultural activities such as kirtan (devotional singing), recitation of hymns from the Guru Granth Sahib (the holy scripture of Sikhism), and langar (community meal) are also integral parts of the Guru Nanak Jayanti celebration in Nepalgunj. These activities not only strengthen the bonds within the Sikh community but also promote unity and understanding among people of different faiths in the region.

The celebration of Guru Nanak Jayanti in Nepalgunj is a testament to the diversity and richness of Sikh culture, and the dance performances play a vital role in preserving and showcasing this cultural heritage. Through these vibrant and expressive dances, the Sikhs in Nepalgunj convey not only their devotion to Guru Nanak Dev Ji but also their commitment to fostering a sense of community, joy, and cultural pride.

Read more on: https://askmeaboutnepal.com/guru-nanak-jayanti/
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#askmeaboutnepal #gurunanak #SikhCommunity #sikhdance #nepalnow #learnabundantly #learnaboutnepal #aboutnepal #nepalnow #nepalifeed #happeningtoday #naturallynepal #sikhhistory
Sikhs of Nepalgunj dressed in vibrant and traditio Sikhs of Nepalgunj dressed in vibrant and traditional attire, come together to perform dances as a form of devotion and expression of their cultural heritage on the occasion of the Guru Nanak Jayanti.

Photos by RGB NIHAL RGB Camerography 

Guru Nanak Jayanti, also known as Gurpurab, is a sacred and joyous occasion celebrated by Sikhs around the world to commemorate the birth anniversary of Guru Nanak Dev Ji, the founder of Sikhism. The celebration is marked by various religious and cultural events, including prayers, processions, and cultural performances. In Nepalgunj, a city in Nepal with a significant Sikh population, the celebration of Guru Nanak Jayanti is a vibrant and culturally rich affair.

The Sikh dance during Guru Nanak Jayanti is often characterized by energetic and rhythmic movements, reflecting the joy and reverence felt by the community. The dance is not just a physical expression but also a spiritual one, as it is performed with a deep sense of devotion and gratitude towards Guru Nanak Dev Ji. The beats of traditional Sikh music, including the sounds of the dhol (drum) and other traditional instruments, add to the festive atmosphere.

These dances often take place in gurdwaras (Sikh temples) and spill out into the streets during processions. The streets of Nepalgunj come alive with the colorful attire of the dancers, the sound of music, and the rhythmic movements that captivate onlookers. The dance is a way for the Sikh community to share their joy and celebrate the teachings of Guru Nanak Dev Ji with the larger community.
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#askmeaboutnepal #gurunanak #SikhCommunity #sikhdance #nepalnow #learnabundantly #learnaboutnepal #aboutnepal #nepalnow #nepalifeed #happeningtoday #naturallynepal #sikhhistory
Shey Phoksundo Lake, at an elevation of 3,611 mete Shey Phoksundo Lake, at an elevation of 3,611 meters (11,849 feet), casts its spell in the remote reaches of the Dolpa district. Cradled by snow-capped peaks, it's a haven where tranquility dances on the ripples of crystal-clear waters. by @pratiigyaa 

The heart-shaped lake nestles within the Shey Phoksundo National Park. A pristine alpine lake renowned for its captivating beauty and tranquil aura located in the remote Dolpa region of Nepal is the deepest lake in the country, plunging to a depth of about 145 meters (475 feet). The lake's turquoise waters contrast with the rugged terrain, creating a visual symphony that beckons adventurers seeking an off-the-beaten-path experience.

The Dolpa region is home to the Dolpo people, who have preserved their unique culture and traditions for centuries. Trekkers have the opportunity to engage with these communities, visit ancient monasteries like Shey Gompa, and witness the nomadic lifestyle of the locals. Embarking on a trek to Shey Phoksundo Lake is not just a physical journey but a spiritual and cultural odyssey, where every step tells a story etched in the folds of the majestic Himalayas. 
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#askmeaboutnepal #SheyPhoksundoTrek #SheyPhoksundolake #SheyPhoksundo #phoksundo #AdventureAwaits #NepalExploration #dolpo #trekkininnepal #lakesofnepal #landscapephotography #phonephotography #ilovenature
Stone Statue of Buddha at Kumbheshwar Dhungedhara Stone Statue of Buddha at Kumbheshwar Dhungedhara (stone spout) in Lalitpur.

In Lumbini's sacred grove, after giving birth to Prince Siddhartha Gautam, Queen Maya Devi passed away. Following Siddhartha Gautam's attainment of enlightenment and his emergence as Lord Buddha, he intended to teach the path of righteousness for the welfare and happiness of the multitude. However, the opportunity to impart the teachings of dharma to Queen Maya Devi did not arise.

In this context, Buddha, on one occasion, went to the Tushita heaven and, by manifesting himself, bestowed the teachings of dharma upon Queen Maya Devi in the city of Sankasya. This event is depicted in this sculpture, where Buddha's statue is shown with a raised umbrella, symbolizing the presentation of those teachings.

This sculpture belongs to the early medieval period and is a unique representation not found elsewhere in Nepal. Therefore, it stands as an invaluable cultural heritage of Nepal, emphasizing the importance of its recognition and preservation.

Text and Photo by Dr. Jagaman Gurung,
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#askmeaboutnepal #stonestaue #buddhaquotes  #buddha  #stonework #oldstatues  #stoneage #lichhavi  #buddhisminnepal #buddhismquotes #buddhateachings  #stoneart #stonearchitecture #stoneartlover #sculpture #historyofnepal  #reportagephotography #photooftheday #picoftheday #naturallynepal #visitnepal #reportagespotlight #worldphotopress #learnoninstagram #learnaboutnepal  #photoscapeofthemonth #canonshooter
It is the auspicious occasion of Kartik Shukla Pak It is the auspicious occasion of Kartik Shukla Paksha Hari Bodhini Ekadashi, today, also known as Thulo Ekadashi. May the blessings of Lord Budhanilkantha Narayan make your days prosperous!

Photo by Pritam Thapa, Priti Thapa

Hari Bodhini Ekadashi is considered the most significant and prominent among the twenty-four Ekadashis observed throughout the year. It is referred to as Thulo Ekadashi due to its importance. In Hinduism, Ekadashi is observed as a day for worshiping Lord Vishnu. According to the legends, Lord Vishnu is said to have awakened from his cosmic slumber in the Ksheer Sagar (ocean of milk) on the day of Ashadha Shukla Ekadashi. Hence, this day is also known as Hari Bodhini Ekadashi.

It is believed that observing a fast and engaging in prayers on this day brings immense spiritual merit and blessings.
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#askmeaboutnepal #thuliekadashi #haribodhiniekadashi #ekadashitithi #culture #hinduculture #hindutradition #hinduismnepal #budhanilkantha #narayan #vishnu #stoneart #stoneartlover #stonearchitecture #learnaboutnepal #hindugod #hindudeity
The protestants mobilized by Durga Prasai and Mahe The protestants mobilized by Durga Prasai and Mahesh Basnet parade to participate in the massive demonstration scheduled today 7 Mangshir 2080 (November 23 2023)

Video @iamsoosaanshrestha
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